The article ‘Can you say what strategy is’ emphasizes the influence of articulated strategies within a company, but neglects the possibility that these strategies can also be internalized within customers. It allows everyone on the demand and supply side to make individual decisions that reinforce one another.
I remember the words they put on the plastic bag of Walmart: everyday low price. Beside it, there was also a smiley face. That was before I went to kindergarten in China. It seems like not only the employees in Walmart know exactly what their business target is, but also the customers. Words do lead to actions. It is more comfortable to be exposed under the glare of incandescent tubes in Walmart because there seems to be a safe consumption zone for middle-class families. We believe in that slogan and enjoy it.
What about smaller companies? Is there any risk to articulate the strategy?
When I interned in an independent film distribution company in Taiwan, I made a chart to track all the titles that were going to be released in the second half year of 2017 in Taiwan. There are certain patterns that I found about other independent companies. There are 2-3 indies focus on horror and R-rated films. Most indie film companies have to distribute at least 2-3 horror and R-rated films to guarantee the profit. Their strategy is to correspond their films to the taste of mass audiences in Taiwan. Horror and R-rated films are guarantees for profit, considering the fact that most of them have a very low budget and have a certain market. There is also one indie that’s called ‘ifilm’ differentiates itself from other indie companies by providing art films from International film festivals. That’s really rare for indie film companies even in the US. Living on a smaller scope of market share, most indie film companies cannot take the risk to articulate their business strategy. Concentrating their investment on specified genres, even on horror films, might exterminate their possibilities to make a profit. Audiences love stimulation, but keep stimulating them with horror films would one day lose the expected effect. There were several weeks that horror films won the top box office in 2017 in Taiwan, but that worried indie film companies even more. One thing that is really interesting in the cultural product: you can neither betray the taste of audiences nor obey them. There is one company called Cohen Media Group which focus on collections of classic films and art films in the US. I happen to know one who interns over there. He tells me that the only reason that this company dares to ‘articulate their business strategy’ is because the boss is really rich. The boss doesn’t have to rely on this company to make a profit.
What is the exit or golden rule for indie film distribution companies? That might take my entire career to answer this question.